We publish occasional books and chapbooks, as well as San Pedro River Review, a biannual perfect-bound journal of poetry and art. Founded in 2008, SPRR is named for the river that flows north from the mountains of Sonora, Mexico, into Arizona. 

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                                                            ISSN 1944-5954

 

                Blue Horse Press poetry book and chapbook publications are found here:

             http://www.bluehorsepress.com/blue-horse-press-books-chapbooks

 

            We only publish POETRY, and are not considering unsolicited book and chapbook manuscripts.

 

 For SPRR, we consider submissions during two periods: January and July See general and specific guidelines below. 

 

 Our representative poets include Naomi Shihab Nye, Ellen Bass, Gary Soto, Reginald Dwayne Betts, Joseph Millar, Jack Bedell, Tyree Daye, Marge Piercy, Alex Lemon, Afaa Michael Weaver, Joe Wilkins, Nathalie Handal, Jack Ridl, Gary Copeland Lilley, Sean Thomas Dougherty, Larry D. Thomas,  Adrian C. Louis, and Jessica Jacobs.

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We publish approximately 60 to 100+ poems and multiple pieces of art per issue. In size, we are 5 ½  x 8 ½ .

Here is our current issue.  Previous issues may be viewed toward the bottom of the page.

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                                                                                    THESE ARE THE SUBMISSION WINDOWS:

                                                                         

                                                                      July 1st to July 31st, 2023

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January 1st to January 31st, 2024 

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                                Submission windows close precisely at midnight, Eastern Standard Time

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                                            Submissions made outside the windows will be ignored

 

  GENERAL GUIDELINES

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We seek an economy of language with keen focus on voice and image. A touch of Lorca's duende that loves ledges and wounds, Kant's "crooked timber of humanity," James Agee’s “cruel radiance of what is.”

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*  Email your submission to: sprreview [at symbol  ] gmail. com

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*  ONLY ONE SUBMISSION PER SUBMISSION PERIOD. The exception would be when poems are submitted in one email, and art in another (see Art guidelines below). However, except by invitation, we do not consider poems paired with art, if accepting the poem must include the art it is paired with.

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*  Simultaneous submissions are fine.

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*  Please keep cover letters simple. Inscribe a brief third-person bio in the body of the email, and your address (if you like). If work is accepted, it's incumbent upon the submitter to send us their address.

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*  No previously published work. But we're okay with prior publication on blogs or social media.

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*  We do not comment on work we decline.

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*  CONTACT US IF YOU DO NOT HEAR FROM US WITHIN 10 DAYS OF YOUR SUBMISSION, especially if you              have not heard by the morning of the day immediately after our submission window closes.

 

    POETRY

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*  We consider all forms of poetry, including prose poems. However, prose poems may not extend in length beyond half a single page on a standard 8x11-sized sheet of paper.

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*  Send up to 3 poems in a SINGLE Word document -- do not inscribe them in the body of your email. NO pdf. or .dat files. Nor do we use Google docs.

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*  Do not explain your poems.

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*  No gratuitous sexual or violent scenes meant to shock or be clever.

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*   We have ZERO interest in work centered on the US political scene.

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*   No be-boppy Beat pastiche. 

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*   Spare us the philosophical or polemical verse.

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*   No need for word or line count.

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All work must be in English, excluding, of course, the case where a non-English word or term is intrinsic to the poem. Non-English poems may be submitted if accompanied by their English translation.

 

ART

 

 Only black & white photography. Approximately 1 - 5 pieces. Check to see if the window you're submitting for has a theme. We like Realism: photographs of urban and rural decay, obsolescence, wayworn scenes, solitary individuals, especially with a sense of isolation about them, and night scenes. Straight-up nature shots won't likely interest us. Submit as separate files in a single email. Submissions must be sent as graphics files (jpeg, tiff). Please try to limit each file to no more than 7-8 MB, high-resolution, preferably 300 dpi; if not, we can increase resolution as needed. We are not likely the best place for art solely generated by computer, though computer-enhanced or post-processed art / photography is fine.

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By submitting to us you grant us permission, if we select your work, to publish it. No separate author's consent form or proof will be sent out.

 

All work must be that of the submitter.

 

Payment is one contributor copy. Under certain circumstances, contributors outside the US may need to purchase their own copies due to customs fees, taxation, etc. 

 

San Pedro River Review acquires first serial rights to accepted pieces, except for work published previously in other publications. Copyright reverts to the author after publication.

 

Contributors may purchase additional copies at reduced rates. Discounts are only available through us, not the regular Amazon site. Otherwise, copies for non-contributors are available on Amazon at the regular retail price. 

 

You do not need a Facebook account to access our public Facebook page. This is where we often broadcast updates, such as publication timing and when contributor copies are mailed out. Our Facebook page: http://www.facebook.com/san.review

 

San Pedro River Review is indexed in the University of Wisconsin - Madison Special Collections Little Magazine Unit, the collections at the University of Arizona Poetry Center, University at Buffalo, and the library at Texas State University. We are a member of The Council of Literary Magazines and Presses [CLMP].

 

THE EDITORS

 

Jeffrey Alfier is 2018 winner of the Angela Consolo Manckiewick Poetry Prize, from Lummox Press. In 2014 he won the Kithara Book Prize, judged by Dennis Maloney. He was a finalist for the Missouri Laureate Prize in 2021. Publication credits include Arkansas Review, Atlanta Review, The Carolina Quarterly, Columbia College Literary Review, Copper Nickel, Emerson Review, Faultline, Iron Horse Literary Review, Kestrel, Gargoyle, Hotel Amerika, Los Angeles Review, Louisville Review, The Midwest Quarterly, New York Quarterly, Permafrost, Penn Review, Poetry Ireland Review, South Carolina Review, Southern Poetry Review, Southwestern American Literature, and Texas Review. His latest collection of poems is The Shadow Field (Louisiana Literature Journal & Press, 2020). He is also author of Gone This Long: Southern Poems, The Wolf Yearling, Idyll for a Vanishing River, Fugue for a Desert Mountain, Anthem for Pacific Avenue: California Poems, Southbound Express to Bayhead: New Jersey Poems, The Red Stag at Carrbridge: Scotland Poems, Bleak Music: A Photo and poetry collaboration with poet Larry D. Thomas.

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Tobi Alfier is published nationally and internationally. Her poems have appeared in Washington Square, The American Journal of Poetry, Anti-Heroin Chic, Arkansas Review, Atlanta Review, Hawai’i Pacific Review, The Chaffin Journal, Fourth River, Gargoyle, KGB Bar Lit Magazine, The Los Angeles Review,  Nerve Cowboy, Permafrost, Spoon River Poetry Review, Suisun Valley Review, Chiron Review, Cholla Needles, War Literature & the Arts, The Galway Review, The Ogham Stone, and other print and online journals in the US and overseas. In addition to seven chapbooks, she is the author of Grit & Grace (The Orchard Street Press, 2021), Symmetry: earth and sky which was published by Main Street Rag, 2020, Slices of Alice & Other Character Studies, published by Cholla Needles Arts & Literary Library, Down Anstruther Way, a collection of Scotland poems, published by FutureCycle Press, Somewhere, Anywhere, Doesn't Matter Where, published by Kelsay Books, Romance and Rust, Lapses & Absences, The Coincidence of Castles, a chapbook of Ireland poems (Glass Lyre Press). Both a reissue of Sanity Among the Wildflowers, and Calendar Girls Poems 2022, a wall calendar, were published by Cholla Needles Arts & Literary Library.  The calendar includes poetry and photographs.

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Truly imaginative writing can bring us back to the living presence of the grass, to the fields that feed us, to the cities we live in and the nature of the men and women among whom we live.

 

       — Phillip Levine

 

 

                                                                                         BACK ISSUES  of SPRR