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         Blue Horse Press

& San Pedro River Review

We publish occasional books and chapbooks, as well as San Pedro River Review, a biannual perfect-bound journal of poetry and art. Founded in 2008, SPRR is named for the river that flows north from the mountains of Sonora, Mexico, into Arizona. 







                                                   ISSN 1944-5954


                Blue Horse Press poetry book and chapbook publications are found here:



        We only publish POETRY, and are not considering unsolicited book and chapbook manuscripts.


 For SPRR, we consider submissions during two periods: January and July See general and specific guidelines below. 


 Our representative poets include Naomi Shihab Nye, Ellen Bass, Gary Soto, Afaa Michael Weaver, Joseph Millar, Reginald Dwayne Betts, Jack Bedell, Marge Piercy, Alex Lemon, Joe Wilkins, Nathalie Handal, Tyree Daye, Jack Ridl, Gary Copeland Lilley, Larry D. Thomas, Sean Thomas Dougherty,

and Jessica Jacobs.

We publish approximately 60 to 100+ poems and multiple pieces of art per issue. In size, we are 5 ½  x 8 ½ .

Here is our current issue.  Previous issues may be viewed toward the bottom of the page:














                                                                 THESE ARE THE SUBMISSION WINDOWS:


                                                                      July 1st to July 31st, 2023

January 1st to January 31st, 2024 

                                Submission windows close precisely at midnight, Eastern Standard Time

                                            Submissions made outside the windows will be ignored



We seek an economy of language with keen focus on voice and image. A touch of Lorca's duende that loves ledges and wounds, Kant's "crooked timber of humanity," James Agee’s “cruel radiance of what is.”

*  Email your submission to: sprreview [at symbol  ] gmail. com

 ONLY ONE SUBMISSION PER SUBMISSION PERIOD. The exception would be when poems are submitted in one email, and art in another (see Art guidelines below). However, except by invitation, we do not consider poems paired with art, if accepting the poem must include the art it is paired with.

*  Simultaneous submissions are fine.

Please keep cover letters simple. Inscribe a brief third-person bio in the body of the emailand your address (if you like). If work is accepted, it's incumbent upon the submitter to send us their address.

No previously published work. But we're okay with prior publication on blogs or social media.

We will not consider work that has been created by AI.

We do not comment on work we decline.

CONTACT US IF YOU DO NOT HEAR FROM US WITHIN 10 DAYS OF YOUR SUBMISSION, especially if you have not heard by the morning of the day immediately after our submission window closes.



*  We consider all forms of poetry, including prose poems. However, prose poems may not extend in length beyond half a single page on a standard 8x11-sized sheet of paper.

*  Send up to 3 poems in a SINGLE Word document -- do not inscribe them in the body of your email. NO pdf. or .dat files. Nor do we use Google docs.

*  We will not consider work that has been created by AI.

*  Do not explain your poems.

*  No gratuitous sexual or violent scenes meant to shock or be clever.

  We have ZERO interest in work centered on the US political scene.

*   No be-boppy Beat pastiche. 

*   Spare us the philosophical or polemical verse.

  No need for word or line count.

All work must be in English, excluding, of course, the case where a non-English word or term is intrinsic to the poem. Non-English poems may be submitted if accompanied by their English translation.




*  For now, only black & white photography. We also like collages and double-exposures. Approximately 1 - 5 pieces. Check to see if the window you're submitting to has a theme. We like Realism: urban and rural decay, obsolescence, wayworn scenes, solitary individuals — especially with a sense of isolation, and night scenes. Straight-up nature shots and pretty scenery don't interest us unless there's something wayworn about them.


*  Submit as separate files in a single email. (jpeg, tiff). Photos must be at least 300 DPI. No cartoonish art generated by computer. Though we will not consider work that has been solely created by AI, computer-enhanced or post-processed art/photography is fine.



By submitting to us you grant us permission, if we select your work, to publish it. No separate author's consent form or proof will be sent out.


All work must be that of the submitter.


Payment is one contributor copy. Under certain circumstances, contributors outside the US may need to purchase their own copies due to customs fees, taxation, etc. 


San Pedro River Review acquires first serial rights to accepted pieces, except for work published previously in other publications. Copyright reverts to the author after publication.


Contributors may purchase additional copies at reduced rates. Discounts are only available through us, not the regular Amazon site. Otherwise, copies for non-contributors are available on Amazon at the regular retail price. 


You do not need a Facebook account to access our public Facebook page. This is where we often broadcast updates, such as publication timing and when contributor copies are mailed out. Our Facebook page:


San Pedro River Review is indexed in the University of Wisconsin - Madison Special Collections Little Magazine Unit, the collections at the University of Arizona Poetry Center, University at Buffalo, and the library at Texas State University. We are a member of The Council of Literary Magazines and Presses [CLMP].




Jeffrey Alfier is a poet and as well as a collage and double-exposure artist-photographer. He was a finalist for the Missouri Laureate Prize in 2021. He is 2018 winner of the Angela Consolo Manckiewick Poetry Prize, from Lummox Press. In 2014 he won the Kithara Book Prize, judged by Dennis Maloney. Publication credits include Arkansas Review, Atlanta Review, The Carolina QuarterlyColumbia College Literary Review, Copper Nickel, Emerson Review, FaultlineIron Horse Literary Review, Kestrel, GargoyleHotel Amerika, Los Angeles Review, Louisville Review, The Midwest Quarterly, New York Quarterly, Notre Dame Review, Permafrost, Penn ReviewPoetry Ireland Review, South Carolina Review, Southern Poetry ReviewSouthwestern American Literature, and Texas Review. His latest collection of poems is The Shadow Field (Louisiana Literature Journal & Press, 2020). He is also author of the collections Gone This Long: Southern Poems, The Wolf Yearling, Idyll for a Vanishing River, Fugue for a Desert Mountain, Anthem for Pacific Avenue: California PoemsSouthbound Express to Bayhead: New Jersey Poems, The Red Stag at Carrbridge: Scotland Poems, Bleak Music: A Photo and poetry collaboration with poet Larry D. Thomas.

Tobi Alfier is published nationally and internationally. Her poems have appeared in Washington SquareThe American Journal of Poetry, Anti-Heroin Chic, Arkansas Review, Atlanta Review, Hawai’i Pacific Review, The Chaffin Journal, Fourth River, Gargoyle, KGB Bar Lit Magazine, The Los Angeles Review,  Nerve Cowboy, Permafrost, Spoon River Poetry Review, Suisun Valley Review, Chiron Review, Cholla Needles, War Literature & the Arts, The Galway Review, The Ogham Stone, and other print and online journals in the US and overseas. In addition to seven chapbooks, she is the author of Grit & Grace (The Orchard Street Press, 2021), Symmetry: earth and sky which was published by Main Street Rag, 2020, Slices of Alice & Other Character Studies, published by Cholla Needles Arts & Literary Library, Down Anstruther Way, a collection of Scotland poems, published by FutureCycle Press, Somewhere, Anywhere, Doesn't Matter Where, published by Kelsay Books, Romance and Rust, Lapses & Absences, The Coincidence of Castles, a chapbook of Ireland poems (Glass Lyre Press). Both a reissue of Sanity Among the Wildflowers, and Calendar Girls Poems 2022, a wall calendar, were published by Cholla Needles Arts & Literary Library.  The calendar includes poetry and photographs.

Truly imaginative writing can bring us back to the living presence of the grass, to the fields that feed us, to the cities we live in and the nature of the men and women among whom we live.


       — Phillip Levine



                                                                                         BACK ISSUES  of SPRR 




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